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Quiz 08
Results
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#1.
Relative Keys
are the black Keys on the Piano
are the black Keys on the Piano
are opposite on the Circle of Fifth
are opposite on the Circle of Fifth
are major and minor scales that share the same Key Signature
are major and minor scales that share the same Key Signature
should not follow in a Chord Progression
should not follow in a Chord Progression
#2.
The Relative Key of
C-Major is F-minor
C-Major is F-minor
G-Major is E-minor
G-Major is E-minor
D Major is A-minor
D Major is A-minor
C-Major is A-Major
C-Major is A-Major
#3.
The Chord Progression I-IV-V-I
in C-Major is C-Em-F-C
in C-Major is C-Em-F-C
in C-Major is C-Dm-G-C
in C-Major is C-Dm-G-C
in C-Major is C-F-G-C
in C-Major is C-F-G-C
in C-Major is C-G-F-C
in C-Major is C-G-F-C
#4.
What is a Tonic?
The fifth interval
The fifth interval
The leading sound
The leading sound
The first note of a diatonic scale; the Keynote
The first note of a diatonic scale; the Keynote
The third note of a diatonic scale
The third note of a diatonic scale
#5.
Diatonic means
Using 12 tones within an Octave
Using 12 tones within an Octave
A 4 tone chord
A 4 tone chord
Using only the Black Keys
Using only the Black Keys
Of or using only the seven tones of a standard scale e.g. C-Major Scale
Of or using only the seven tones of a standard scale e.g. C-Major Scale
#6.
The Tonic Chord of C-Major
is E-G-B
is E-G-B
is C-E-G
is C-E-G
is F-A-C
is F-A-C
is D-F-A
is D-F-A
#7.
The Dominant Chord in C-Major
is G-B-D
is G-B-D
is F-A-C
is F-A-C
is C-E-G
is C-E-G
is A-C-E
is A-C-E
#8.
The Subdominant Chord in C-Major is
C-E-G
C-E-G
F-A-C
F-A-C
A-C-E
A-C-E
G-B-D
G-B-D
#9.
Graduation Song "Pomp and Circumstance" by Edward Elgar
Graduation Song "Pomp and Circumstance" by Edward Elgar
"For he is an Englishman" from H.M.S. Pinafore by Gilbert Sullivan
"For he is an Englishman" from H.M.S. Pinafore by Gilbert Sullivan
Melody from Tristan and Isolde by Richard Wagner
Melody from Tristan and Isolde by Richard Wagner
Tune from Georg Friedrich Haendel
Tune from Georg Friedrich Haendel
#10.
Christmas Song from W.A. Mozart
Christmas Song from W.A. Mozart
Halleluia Transcription for Piano. G.F. Haendel
Halleluia Transcription for Piano. G.F. Haendel
5th Symphony from L. van Beethoven
5th Symphony from L. van Beethoven
Christmas Oratorio by J.S. Bach
Christmas Oratorio by J.S. Bach
#11.
"Moonglow" by Benny Goodman
"Moonglow" by Benny Goodman
"Moon River" by Henry Mancini
"Moon River" by Henry Mancini
"Blue Moon" by The Marcels
"Blue Moon" by The Marcels
"Fly Me To The Moon" by Frank Sinatra
"Fly Me To The Moon" by Frank Sinatra
#12.
"The Cool, Cool River" by Paul Simon
"The Cool, Cool River" by Paul Simon
"River deep, mountain high " by Tina Turner
"River deep, mountain high " by Tina Turner
"River Flows in You" by Yiruma
"River Flows in You" by Yiruma
"Deep River" Spiritual
"Deep River" Spiritual
#13.
Flamenco of Madrid - Alex Conde
Flamenco of Madrid - Alex Conde
New Orleans Jazz - Mardi Gras
New Orleans Jazz - Mardi Gras
Ragtime - The Entertainer
Ragtime - The Entertainer
Latin American Jazz - Salsa
Latin American Jazz - Salsa
#14.
Excerpt from the Opera Nabucco - Verdi
Excerpt from the Opera Nabucco - Verdi
Don Giovanni 2nd Act - Opera from Mozart
Don Giovanni 2nd Act - Opera from Mozart
Opera from Rossini - William Tell
Opera from Rossini - William Tell
Donna Mobile from the Opera Rigoletto - Verdi
Donna Mobile from the Opera Rigoletto - Verdi
#15.
This chord
can be written as A6
can be written as A6
can be written as Am7
can be written as Am7
can be written as A7
can be written as A7
can be written as A#6
can be written as A#6
#16.
This chords
are Inversions of a C-Chord
are Inversions of a C-Chord
are an Enharmonic Notation
are an Enharmonic Notation
are a Suspended and Extended C-Chord
are a Suspended and Extended C-Chord
are a Diminished and and Augmented C-Chord
are a Diminished and and Augmented C-Chord
#17.
A diminished Chord has
two small thirds
two small thirds
two big thirds
two big thirds
a big third followed by a small third
a big third followed by a small third
a small third followed by a big third
a small third followed by a big third
#18.
An Augmented Chord has
a big third followed by a small third
a big third followed by a small third
two big thirds
two big thirds
a small third followed by a big third
a small third followed by a big third
two small thirds
two small thirds
#19.
this is a Suspended Chord and would resolve to F-Major
this is a Suspended Chord and would resolve to F-Major
this is a Suspended Chord and would resolve to C-Major
this is a Suspended Chord and would resolve to C-Major
this is a Diminished Chord and would resolve to G-Major
this is a Diminished Chord and would resolve to G-Major
this is an Augmented Chord and would resolve to C-Major
this is an Augmented Chord and would resolve to C-Major
#20.
What does Resolve a Chord mean?
To cause to progress from a consonance to a dissonance
To cause to progress from a consonance to a dissonance
To cause to progress from a dissonance to a consonance
To cause to progress from a dissonance to a consonance
To analyze Chord Progressions
To analyze Chord Progressions
To determine the Tones of a Chord
To determine the Tones of a Chord
#21.
Both are C-Major Chords, in Narrow and Wide Notation
Both are C-Major Chords, in Narrow and Wide Notation
These are different Chords
These are different Chords
The second Chord is an Inversion of the first Chord
The second Chord is an Inversion of the first Chord
Both Chords are G-Major Chords
Both Chords are G-Major Chords
#22.
This is a regular C-Chord in Root Position
This is a regular C-Chord in Root Position
This is a C-Major Quartsix Chord
This is a C-Major Quartsix Chord
This is a C-Major Sixth Chord (six steps from the bass to C)
This is a C-Major Sixth Chord (six steps from the bass to C)
This is the 1st Inversion of a C-Chord
This is the 1st Inversion of a C-Chord
#23.
This is a typical Chord Progression with a Suspended Chord
This is a typical Chord Progression with a Suspended Chord
The red Chord is a G-Major Chord
The red Chord is a G-Major Chord
This is a typical Chord Progression with a Quartsix Chord (red)
This is a typical Chord Progression with a Quartsix Chord (red)
The red Chord is a Sixth Chord
The red Chord is a Sixth Chord
#24.
What is a Tritone?
Quarter Triplets
Quarter Triplets
A musical interval of three half steps
A musical interval of three half steps
A musical interval of three whole steps
A musical interval of three whole steps
A Triad
A Triad
#25.
What is a Triad?
A G7 Chord
A G7 Chord
A musical interval of three whole steps
A musical interval of three whole steps
A chord of three tones consisting of a root with its third and fifth
A chord of three tones consisting of a root with its third and fifth
A String Trio
A String Trio
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