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Quiz 08
Results
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#1.
Relative Keys
are the black Keys on the Piano
are the black Keys on the Piano
are major and minor scales that share the same Key Signature
are major and minor scales that share the same Key Signature
should not follow in a Chord Progression
should not follow in a Chord Progression
are opposite on the Circle of Fifth
are opposite on the Circle of Fifth
#2.
The Relative Key of
D Major is A-minor
D Major is A-minor
C-Major is A-Major
C-Major is A-Major
C-Major is F-minor
C-Major is F-minor
G-Major is E-minor
G-Major is E-minor
#3.
The Chord Progression I-IV-V-I
in C-Major is C-Em-F-C
in C-Major is C-Em-F-C
in C-Major is C-Dm-G-C
in C-Major is C-Dm-G-C
in C-Major is C-G-F-C
in C-Major is C-G-F-C
in C-Major is C-F-G-C
in C-Major is C-F-G-C
#4.
What is a Tonic?
The first note of a diatonic scale; the Keynote
The first note of a diatonic scale; the Keynote
The fifth interval
The fifth interval
The third note of a diatonic scale
The third note of a diatonic scale
The leading sound
The leading sound
#5.
Diatonic means
Using 12 tones within an Octave
Using 12 tones within an Octave
Using only the Black Keys
Using only the Black Keys
Of or using only the seven tones of a standard scale e.g. C-Major Scale
Of or using only the seven tones of a standard scale e.g. C-Major Scale
A 4 tone chord
A 4 tone chord
#6.
The Tonic Chord of C-Major
is E-G-B
is E-G-B
is C-E-G
is C-E-G
is F-A-C
is F-A-C
is D-F-A
is D-F-A
#7.
The Dominant Chord in C-Major
is C-E-G
is C-E-G
is G-B-D
is G-B-D
is A-C-E
is A-C-E
is F-A-C
is F-A-C
#8.
The Subdominant Chord in C-Major is
C-E-G
C-E-G
F-A-C
F-A-C
A-C-E
A-C-E
G-B-D
G-B-D
#9.
"For he is an Englishman" from H.M.S. Pinafore by Gilbert Sullivan
"For he is an Englishman" from H.M.S. Pinafore by Gilbert Sullivan
Graduation Song "Pomp and Circumstance" by Edward Elgar
Graduation Song "Pomp and Circumstance" by Edward Elgar
Melody from Tristan and Isolde by Richard Wagner
Melody from Tristan and Isolde by Richard Wagner
Tune from Georg Friedrich Haendel
Tune from Georg Friedrich Haendel
#10.
Halleluia Transcription for Piano. G.F. Haendel
Halleluia Transcription for Piano. G.F. Haendel
Christmas Song from W.A. Mozart
Christmas Song from W.A. Mozart
Christmas Oratorio by J.S. Bach
Christmas Oratorio by J.S. Bach
5th Symphony from L. van Beethoven
5th Symphony from L. van Beethoven
#11.
"Moon River" by Henry Mancini
"Moon River" by Henry Mancini
"Blue Moon" by The Marcels
"Blue Moon" by The Marcels
"Moonglow" by Benny Goodman
"Moonglow" by Benny Goodman
"Fly Me To The Moon" by Frank Sinatra
"Fly Me To The Moon" by Frank Sinatra
#12.
"River deep, mountain high " by Tina Turner
"River deep, mountain high " by Tina Turner
"River Flows in You" by Yiruma
"River Flows in You" by Yiruma
"The Cool, Cool River" by Paul Simon
"The Cool, Cool River" by Paul Simon
"Deep River" Spiritual
"Deep River" Spiritual
#13.
Flamenco of Madrid - Alex Conde
Flamenco of Madrid - Alex Conde
Latin American Jazz - Salsa
Latin American Jazz - Salsa
Ragtime - The Entertainer
Ragtime - The Entertainer
New Orleans Jazz - Mardi Gras
New Orleans Jazz - Mardi Gras
#14.
Donna Mobile from the Opera Rigoletto - Verdi
Donna Mobile from the Opera Rigoletto - Verdi
Don Giovanni 2nd Act - Opera from Mozart
Don Giovanni 2nd Act - Opera from Mozart
Opera from Rossini - William Tell
Opera from Rossini - William Tell
Excerpt from the Opera Nabucco - Verdi
Excerpt from the Opera Nabucco - Verdi
#15.
This chord
can be written as A7
can be written as A7
can be written as Am7
can be written as Am7
can be written as A#6
can be written as A#6
can be written as A6
can be written as A6
#16.
This chords
are a Suspended and Extended C-Chord
are a Suspended and Extended C-Chord
are an Enharmonic Notation
are an Enharmonic Notation
are a Diminished and and Augmented C-Chord
are a Diminished and and Augmented C-Chord
are Inversions of a C-Chord
are Inversions of a C-Chord
#17.
A diminished Chord has
two small thirds
two small thirds
a small third followed by a big third
a small third followed by a big third
two big thirds
two big thirds
a big third followed by a small third
a big third followed by a small third
#18.
An Augmented Chord has
two small thirds
two small thirds
two big thirds
two big thirds
a small third followed by a big third
a small third followed by a big third
a big third followed by a small third
a big third followed by a small third
#19.
this is a Suspended Chord and would resolve to C-Major
this is a Suspended Chord and would resolve to C-Major
this is an Augmented Chord and would resolve to C-Major
this is an Augmented Chord and would resolve to C-Major
this is a Suspended Chord and would resolve to F-Major
this is a Suspended Chord and would resolve to F-Major
this is a Diminished Chord and would resolve to G-Major
this is a Diminished Chord and would resolve to G-Major
#20.
What does Resolve a Chord mean?
To analyze Chord Progressions
To analyze Chord Progressions
To cause to progress from a consonance to a dissonance
To cause to progress from a consonance to a dissonance
To determine the Tones of a Chord
To determine the Tones of a Chord
To cause to progress from a dissonance to a consonance
To cause to progress from a dissonance to a consonance
#21.
Both Chords are G-Major Chords
Both Chords are G-Major Chords
These are different Chords
These are different Chords
The second Chord is an Inversion of the first Chord
The second Chord is an Inversion of the first Chord
Both are C-Major Chords, in Narrow and Wide Notation
Both are C-Major Chords, in Narrow and Wide Notation
#22.
This is a C-Major Quartsix Chord
This is a C-Major Quartsix Chord
This is a regular C-Chord in Root Position
This is a regular C-Chord in Root Position
This is the 1st Inversion of a C-Chord
This is the 1st Inversion of a C-Chord
This is a C-Major Sixth Chord (six steps from the bass to C)
This is a C-Major Sixth Chord (six steps from the bass to C)
#23.
The red Chord is a G-Major Chord
The red Chord is a G-Major Chord
This is a typical Chord Progression with a Quartsix Chord (red)
This is a typical Chord Progression with a Quartsix Chord (red)
This is a typical Chord Progression with a Suspended Chord
This is a typical Chord Progression with a Suspended Chord
The red Chord is a Sixth Chord
The red Chord is a Sixth Chord
#24.
What is a Tritone?
A musical interval of three half steps
A musical interval of three half steps
Quarter Triplets
Quarter Triplets
A musical interval of three whole steps
A musical interval of three whole steps
A Triad
A Triad
#25.
What is a Triad?
A G7 Chord
A G7 Chord
A chord of three tones consisting of a root with its third and fifth
A chord of three tones consisting of a root with its third and fifth
A String Trio
A String Trio
A musical interval of three whole steps
A musical interval of three whole steps
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