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Quiz 08
Results
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#1.
Relative Keys
are opposite on the Circle of Fifth
are opposite on the Circle of Fifth
are major and minor scales that share the same Key Signature
are major and minor scales that share the same Key Signature
are the black Keys on the Piano
are the black Keys on the Piano
should not follow in a Chord Progression
should not follow in a Chord Progression
#2.
The Relative Key of
G-Major is E-minor
G-Major is E-minor
C-Major is A-Major
C-Major is A-Major
D Major is A-minor
D Major is A-minor
C-Major is F-minor
C-Major is F-minor
#3.
The Chord Progression I-IV-V-I
in C-Major is C-F-G-C
in C-Major is C-F-G-C
in C-Major is C-G-F-C
in C-Major is C-G-F-C
in C-Major is C-Dm-G-C
in C-Major is C-Dm-G-C
in C-Major is C-Em-F-C
in C-Major is C-Em-F-C
#4.
What is a Tonic?
The first note of a diatonic scale; the Keynote
The first note of a diatonic scale; the Keynote
The third note of a diatonic scale
The third note of a diatonic scale
The leading sound
The leading sound
The fifth interval
The fifth interval
#5.
Diatonic means
A 4 tone chord
A 4 tone chord
Of or using only the seven tones of a standard scale e.g. C-Major Scale
Of or using only the seven tones of a standard scale e.g. C-Major Scale
Using only the Black Keys
Using only the Black Keys
Using 12 tones within an Octave
Using 12 tones within an Octave
#6.
The Tonic Chord of C-Major
is D-F-A
is D-F-A
is C-E-G
is C-E-G
is E-G-B
is E-G-B
is F-A-C
is F-A-C
#7.
The Dominant Chord in C-Major
is A-C-E
is A-C-E
is F-A-C
is F-A-C
is G-B-D
is G-B-D
is C-E-G
is C-E-G
#8.
The Subdominant Chord in C-Major is
G-B-D
G-B-D
F-A-C
F-A-C
C-E-G
C-E-G
A-C-E
A-C-E
#9.
Graduation Song "Pomp and Circumstance" by Edward Elgar
Graduation Song "Pomp and Circumstance" by Edward Elgar
Tune from Georg Friedrich Haendel
Tune from Georg Friedrich Haendel
Melody from Tristan and Isolde by Richard Wagner
Melody from Tristan and Isolde by Richard Wagner
"For he is an Englishman" from H.M.S. Pinafore by Gilbert Sullivan
"For he is an Englishman" from H.M.S. Pinafore by Gilbert Sullivan
#10.
Christmas Song from W.A. Mozart
Christmas Song from W.A. Mozart
5th Symphony from L. van Beethoven
5th Symphony from L. van Beethoven
Halleluia Transcription for Piano. G.F. Haendel
Halleluia Transcription for Piano. G.F. Haendel
Christmas Oratorio by J.S. Bach
Christmas Oratorio by J.S. Bach
#11.
"Blue Moon" by The Marcels
"Blue Moon" by The Marcels
"Moonglow" by Benny Goodman
"Moonglow" by Benny Goodman
"Moon River" by Henry Mancini
"Moon River" by Henry Mancini
"Fly Me To The Moon" by Frank Sinatra
"Fly Me To The Moon" by Frank Sinatra
#12.
"River deep, mountain high " by Tina Turner
"River deep, mountain high " by Tina Turner
"Deep River" Spiritual
"Deep River" Spiritual
"The Cool, Cool River" by Paul Simon
"The Cool, Cool River" by Paul Simon
"River Flows in You" by Yiruma
"River Flows in You" by Yiruma
#13.
New Orleans Jazz - Mardi Gras
New Orleans Jazz - Mardi Gras
Flamenco of Madrid - Alex Conde
Flamenco of Madrid - Alex Conde
Ragtime - The Entertainer
Ragtime - The Entertainer
Latin American Jazz - Salsa
Latin American Jazz - Salsa
#14.
Donna Mobile from the Opera Rigoletto - Verdi
Donna Mobile from the Opera Rigoletto - Verdi
Opera from Rossini - William Tell
Opera from Rossini - William Tell
Excerpt from the Opera Nabucco - Verdi
Excerpt from the Opera Nabucco - Verdi
Don Giovanni 2nd Act - Opera from Mozart
Don Giovanni 2nd Act - Opera from Mozart
#15.
This chord
can be written as Am7
can be written as Am7
can be written as A#6
can be written as A#6
can be written as A6
can be written as A6
can be written as A7
can be written as A7
#16.
This chords
are an Enharmonic Notation
are an Enharmonic Notation
are a Diminished and and Augmented C-Chord
are a Diminished and and Augmented C-Chord
are a Suspended and Extended C-Chord
are a Suspended and Extended C-Chord
are Inversions of a C-Chord
are Inversions of a C-Chord
#17.
A diminished Chord has
a big third followed by a small third
a big third followed by a small third
two big thirds
two big thirds
two small thirds
two small thirds
a small third followed by a big third
a small third followed by a big third
#18.
An Augmented Chord has
two small thirds
two small thirds
a small third followed by a big third
a small third followed by a big third
two big thirds
two big thirds
a big third followed by a small third
a big third followed by a small third
#19.
this is a Suspended Chord and would resolve to C-Major
this is a Suspended Chord and would resolve to C-Major
this is a Diminished Chord and would resolve to G-Major
this is a Diminished Chord and would resolve to G-Major
this is an Augmented Chord and would resolve to C-Major
this is an Augmented Chord and would resolve to C-Major
this is a Suspended Chord and would resolve to F-Major
this is a Suspended Chord and would resolve to F-Major
#20.
What does Resolve a Chord mean?
To analyze Chord Progressions
To analyze Chord Progressions
To determine the Tones of a Chord
To determine the Tones of a Chord
To cause to progress from a consonance to a dissonance
To cause to progress from a consonance to a dissonance
To cause to progress from a dissonance to a consonance
To cause to progress from a dissonance to a consonance
#21.
Both are C-Major Chords, in Narrow and Wide Notation
Both are C-Major Chords, in Narrow and Wide Notation
These are different Chords
These are different Chords
Both Chords are G-Major Chords
Both Chords are G-Major Chords
The second Chord is an Inversion of the first Chord
The second Chord is an Inversion of the first Chord
#22.
This is the 1st Inversion of a C-Chord
This is the 1st Inversion of a C-Chord
This is a C-Major Quartsix Chord
This is a C-Major Quartsix Chord
This is a regular C-Chord in Root Position
This is a regular C-Chord in Root Position
This is a C-Major Sixth Chord (six steps from the bass to C)
This is a C-Major Sixth Chord (six steps from the bass to C)
#23.
The red Chord is a Sixth Chord
The red Chord is a Sixth Chord
This is a typical Chord Progression with a Suspended Chord
This is a typical Chord Progression with a Suspended Chord
This is a typical Chord Progression with a Quartsix Chord (red)
This is a typical Chord Progression with a Quartsix Chord (red)
The red Chord is a G-Major Chord
The red Chord is a G-Major Chord
#24.
What is a Tritone?
Quarter Triplets
Quarter Triplets
A musical interval of three whole steps
A musical interval of three whole steps
A musical interval of three half steps
A musical interval of three half steps
A Triad
A Triad
#25.
What is a Triad?
A chord of three tones consisting of a root with its third and fifth
A chord of three tones consisting of a root with its third and fifth
A G7 Chord
A G7 Chord
A String Trio
A String Trio
A musical interval of three whole steps
A musical interval of three whole steps
finish
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